| Freshman Year | |
| Texts & Methods: | |
| The Art of Horn Playing | Philip Farkas |
| The Art of Musicianship | Philip Farkas |
| Rubank, Getchell, Pottag | Melodies |
| Kopprasch | Bk. 1 |
| Maxime-Alphonse | Bk. 1-2 |
| | |
| Solo Repertoire from but not limited to: |
| Mason Jones | book of Horn Solos; |
| Mozart | Concertos No. 1, No. 3, all movements |
| Strauss, F. | Concerto No. 1 |
| | |
| Orchestral Excerpts | |
| As assigned | |
| | |
| Transposition | |
| Horn in E-flat and D | |
| | |
| Chamber music | |
| As assigned in consultation with Rep Class faculty. | |
| | |
| Sophomore Year | |
| Texts & Methods: | |
| Also Sprach Arnold Jacobs | Bruce Nelson |
| Embouchure Builder For French Horn by Joseph Singer | |
| Fearn, Singer, Kopprasch | Bk. 1 |
| Maxime-Alphonse | Bk. 2-3 |
| Andraud | 335 Studies |
| | |
| Solo Repertoire from but not limited to: |
| Mozart | Concerto 2 & 4 (second movements) |
| Gounod | Six Melodies |
| Beethoven | Sonata; F. |
| Strauss, F. | Nocturne |
| Strauss, R. | Concerto No. 1, 1st mvt. |
| | |
| Orchestral Excerpts | |
| As assigned | |
| | |
| Transposition | |
| Horn in E and C | |
| | |
| Chamber music | |
| As assigned in consultation with Rep Class faculty | |
| | |
| Junior Year | |
| Texts & Methods: | |
| Arban's, Kopprasch | Bk. 2 |
| Maxime-Alphonse | Bk. 3-4 |
| Andraud; V. Reynolds | Etudes |
| | |
| Solo Repertoire from but not limited to: |
| Mozart | Concerto No. 2, 4 (rondos) |
| R. Strauss | Concerto No. 1 |
| Poulenc | Elegy |
| Bach/Hoss | Cello suites |
| Strauss, R. | Concerto No. 1, all mvts. |
| | |
| Orchestral Excerpts | |
| As assigned | |
| | |
| Transposition | |
| Horn in B-flat, basso and alto; Horn in A | |
| | |
| Chamber music | |
| As assigned in consultation with Rep Class faculty | |
| | |
| Senior Year | |
| Texts & Methods: | |
| Kopprasch | Bk. 2 |
| Maxime-Alphonse | Bk. 3-6 |
| Schuller | Unaccompanied Studies |
| | |
| Solo/Chamber Repertoire from but not limited to: |
| Mozart | Concerto No. 2, 4 (all movements) |
| Hindemith | Sonata |
| Brahms | Horn Trio op. 40 |
| Schumann | Adagio and Allegro, Op. 70 |
| | |
| Orchestral Excerpts | |
| As assigned | |
| | |
| Transposition | |
| Horn in B natural, G, A-flat | |
| | |
| Chamber music | |
| As assigned in consultation with Rep Class faculty | |
| | |
| Basic Repertoire for Horn | |
| | |
| This list appears on the Horn Matters website, where it is presented as an Open Educational Resource to the horn playing community. |
| | |
| I. Essential solo and chamber music literature that all students of the horn should know, study, and own recordings of |
| | |
| Beethoven | Sonata, Op. 17 |
| Brahms | Trio, Op. 40 for Horn, Violin, and Piano |
| Britten | Serenade, Op. 31 for Tenor, Horn, and Strings |
| Dukas | Villanelle |
| Haydn, J. | Concerto No. 1 in D; Concerto No. 2 in D |
| Hindemith | Sonata for Horn |
| Mozart | Concerto No. 1 in D, K. 412; |
| Mozart | Concerto No. 2 in E-flat, K. 417; |
| Mozart | Concerto No. 3 in E-flat, K 447; |
| Mozart | Concerto No. 4 in E-flat, K. 495; |
| Mozart | Concert Rondo; Quintet for horn and strings, K. 407 |
| Schumann | Adagio and Allegro, Op. 70 |
| Schumann | Konzertstuck for four horns and orchestra |
| Strauss, R. | Concerto No. 1, Op. 11; |
| Stauss, R. | Concerto No. 2 |
| Telemann | Concerto in D |
| | |
| II. Other important solo and chamber music works for the horn--selected |
| | |
| Beethoven | Quintet (piano and winds); Sextet (two horns and strings) |
| Bozza | En Foret |
| Chabrier | Larghetto |
| Cherubini | Sonata No. 2 |
| Danzi | Sonata in E-flat |
| Forster | Concerto in E-flat |
| Francaix | Canon in Octave |
| Glazunov | Reverie, Op. 24 |
| Gliere | Concerto, Op. 91; Intermezzo; Nocturne; Romance; Valse Triste |
| Haydn, J. | Divertimento a Tre for horn, violin, and cello; Double Concerto |
| Haydn, M. | Concertino in D |
| Heiden | Sonata |
| Hindemith | Concerto; Sonata for Alto Horn; Sonata for Four Horns |
| Jacob | Concerto |
| Kroll | Laudatio (solo horn) |
| Krufft | Sonata in E |
| Larsson | Concertino |
| Nehlybel | Scherzo Concertante |
| Neilsen | Canto Serioso |
| Mozart | Quintet (piano and winds) |
| Persichetti | Parable (solo horn) |
| Poulenc | Elegy |
| Ries | Sonata |
| Rosetti | Concerto in D minor; Concerto No. 2 in E-flat |
| Rossini | Prelude, Theme, and Variations |
| Saint-Saens | Romance, Op 36; Romance, Op. 67; Morceau de Concert |
| Schubert | Auf dem Strom (horn, soprano or tenor, piano) |
| Schumann | Fantasy Pieces, Op. 73 (transcription--original for clarinet) |
| Scriabin | Romance |
| Strauss, F | Nocturno, Op. 7; Concerto, Op. 8; Theme and Variations, Op. 13 |
| Strauss, R. | Andante |
| Villa-Lobos | Choros No. 4 for three horns and trombone |
| Vivaldi | Double Concerto in F |
| Weber | Concertino in E |
| Wilder | Sonatas No. 1, No. 2, and No. 3; Suite |
